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Some American Radio 2/15/2010
Aaaaaand we’re back. After a two-week hiatus due to the preposterous weather conditions in the D.C. area, the Some American crew (minus one Sean) returns for some more music and bickering. Sadly, Jamie acts solely as a talking head this week without any music to share. She has good reason though, as we’ve just relocated the podcast HQ to a new house that is (still) without internet. With any luck, everything will be back to business as usual by next week. Until then, an hour of our nonsense will have to suffice.
Baker’s Dozen Contents:
Phantogram - As Far As I Can See
Mux Mool - Death 9000 (Prof & P.O.S. Broadcasting Version)
Flying Lotus - Quakes
Brooklyn Rider Feat. Kayhan Kalhor - Ascending Bird
Chris Rehm - Don’t Leave Me Blue
Seasick Steve - Thunderbird
Download it HERE

For those who don’t know (and you should), Caddywhompus are one of those bands that I will one day be able to tell people I liked before everyone else - a mix of Animal Collective-style audacity and stoner-jam sensibilities that revels in the galvanizing effects a wall of noise can have on listeners. Their self-titled debut EP sits permanently on my iPod, a place where transience is the norm, and has left me needing more.
Which brings me to the title line of this message, as the band’s lead singer and principal voxist Chris Rehm has just released a pay-what-you-want-for-it digital version of his solo project Salivary Stones. We have a review forthcoming, but an initial listen through the album’s six tracks of decadent instrumental dream pop has me thinking I will be yammering on like a fool about this one for a good long while (I mean, I used the word decadent just now for fuck’s sake).
You can stream Salivary Stones in it’s entirety below and head HERE to purchase the album when you’re done.